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Jean-Claude Chambellan Duplessis (1699 — 1774), called Duplessis père to distinguish him from his son, Jean-Claude-Thomas Chambellan Duplessis (c. 1730 — 1783), was a goldsmith, sculptor and ceramics modeller, bronze-founder and decorative designer working in the Rococo manner. He served as artistic director of the Vincennes porcelain manufactory and its successor at Sèvres from 1748 to his death in 1774 and as royal goldsmith (''orfèvre du Roi'') from 1758 to 1774. He was born in Turin, as Giovanni Claudio Ciambellano. His earliest work in Turin was carried out for the Prince de Carignan and other members of the house of Savoy. He arrived in Paris in the suite of Victor Amadeus I, Prince of Carignan who ran away to Paris in 1718 and set up an extravagant establishment at the Hôtel de Soissons. When Carignan returned to Turin, Duplessis placed himself under the protection of Marc-René de Voyer de Paulmy d'Argenson (1722–1787), who obtained for him workshop lodgings in the galeries du Louvre as a privileged worker not bound by the rules of the Paris guilds, which would not have accepted a foreign-born craftsman. ==Porcelain== In 1748, Duplessis joined the porcelain manufactory at Vincennes, where he worked four days a week, modeling new designs for vessels and vases that gave the production at Vincennes new life. The extravagant everted forms of several versions of the ''Vase Duplessis'' demonstrate his style.〔(Fitzwilliam Museum: pair of ''Vases Duplessis'', ''ca''1751-52 ); (Victoria & Albert Museum: Vase Duplessis à fleurs balustre rocaille, ''ca''1750-55 ).〕 In 1755 he perfected an offset lathe that could turn oval forms. In August 1756 he moved with the Vincennes manufactory to its new quarters that became the Manufacture nationale de Sèvres. Made ''Orfèvre du Roi'' (goldsmith to the king) in 1758, he occupied lodgings in rue Sainte-Marthe in 1764. Duplessis invented the extravagant rococo forms of Vincennes and Sèvres vases, the ship-like ''Vaisseau à mât'' and the vase with elephant heads.〔Several Sèvres vases and an inkstand in the Wallace Collection, London, are illustrated in ''The Wallace Collection'', 2005: cat. nos 164 (''vase à elephants''), 166 (''pot-pourri gondole''), 169 (inkstand), 171 (''pot-pourri feuilles de myrte'' and ''vase'' or ''pot-pourri en navire''), 180 (''vase grėc à rosettes''), 182 (''vase à jets d'eau''), 183(''pot-pourri ovale''.〕 From the early 1760s his designs showed some first signs of the earliest neoclassicism, the ''goût grec''.〔For example the Greek key fret on a Sèvres vase of c. 1761 in the Wallace Collection (''Wallace Collection, 2005:171); the fully neoclassical ''vase grec à rosettes'' in the Wallace Collection, marked for 1765, belonged to Horace Walpole at Strawberry Hill (''The Wallace Collection'', 2005:180).〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jean-Claude Chambellan Duplessis」の詳細全文を読む スポンサード リンク
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